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Jean-Rodrigue and Kristof Konrad specialize in the application of the Alexander Technique to acting and musical performance in Los Angeles and around the world.

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Actors, directors, musicians, athletes, editors, animators, and members of the entertainment industry…

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 …have the opportunity to explore the basic principles of the internationally practiced Alexander Technique as it applies to their art and profession.

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…more flexibility and pleasure while moving, vocal clarity, freedom of expression, an improvement in muscle tone, increased energy and mental alertness – all elements that lead to heightened artistic quality.

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A TRIBUTE TO DIRECTOR KATHRYN BIGELOW AT THE DIRECTOR’S GUILD OF AMERICA, March 8, 2011

Bigelow directing in "The Hurt Locker"

My long time friend, director Lynn Hamrick, invited us to the DGA’s heartfelt tribute to director Kathryn Bigelow. This was an unusually special and charged evening because it was part of their year long 75th Anniversary Celebration, the fifth in a series of twenty-five events honoring the Guild’s “Game Changers”. Though Bigelow has rightly resisted being defined by her gender, that was the subject most discussed throughout the evening. Though her creative achievements are significant, her designation as “Game Changer” is based on her success as a female director.

Kathryn Bigelow

Kathryn Bigelow has distinguished herself as one of Hollywood’s most innovative filmmakers. Her recent directorial achievement, “The Hurt Locker”, was released in 2009 to box office success and was honored by critics on over 250 top ten lists. The film, written by Mark Boal and produced by Bigelow and Boal, garnered numerous accolades and awards, including the DGA Award for Outstanding Directorial Achievement in Feature Film and seven Academy Awards including Best Director, Best Picture, and Best Screenplay. Kathryn is definitely a groundbreaker and fully embodies poise, clarity and creativity. She has great empathy and patience for everyone she works with and that is obvious in her presence. We are looking forward to her next picture.

Kathryn Bigelow, Amazonian-Imperial, and Mark Boal

The series of colleagues who made their way to the stage included a charming Walter Hill, who met Bigelow just after her first film, “The Loveless“. He thought that she was Amazonian imperial, calm, with a great smile and possibly too intellectual, ivy-league educated and well read. “No good will come of this in show business”, he said, to knowing laughter from the audience.The consensus of all her actors and colleagues was that Kathryn was an incredibly hard worker with endless stamina, always calm under grueling conditions, and they all praised her vision and the loyalty she inspires with her cast and crew.

FILMMAKERS FROM 88 COUNTRIES WORK WITH JEAN-LOUIS RODRIGUE AT THE BERLINALE TALENT CAMPUS 2011. February 12-17, 2011.

THE BERLINALE TALENT CAMPUS 2011

Nine years old and going strong: The idea of the Berlinale Talent Campus has lost nothing of its freshness and international attraction. This is what Dieter Kosslick, artistic director of the Berlinale, said of his pet project, which is part of the annual Berlin International Film Festival. He invited three years ago Jean-Louis Rodrigue to participate as one of the Experts, to mentor the chosen 350 filmmakers attending the Campus.

Ralph Fiennes discussing Acting and Directing (Photo: Peter Himsel, Berlinale, 2011)

The Berlinale Talent Campus is an annual event that takes place parallel to the Berlin International Film Festival. The Campus and its participants benefit greatly from their proximity to the main festival centre and the European Film Market (EFM). The 350 young students or graduates from film schools and/ or film professionals early in their careers are invited to learn from top experts through lectures, seminars and workshops, and have the opportunity to build international networks.

Your Body Speaks with Jean-Louis Rodrigue (Photo: David Ausserhofer, Berlinale 2011)

This year Jean-Louis taught two hands-on workshops; one workshop was called “Your Body Speaks: The Art of Presenting Your Film. This workshop focused on how the director and producer present their project to potential studio executives and investors, and learning effective ways of using physical awareness, confident body language, and engaging the imagination and emotions of their audience to successfully pitch their project. The other workshop was called “Embodying The Character” as part of Talent Actors Stage, assisting actors to enhance their technique and develop craft. One of the filmmakers participating in the “Your Body Speaks” workshop sent the following feedback:

Embodying The Character with Jean-Louis (Photo: Jacub Koncir, Berlinale, 2010)

“What a fabulous seminar! Thank you so much! I pitched my accordion fairy tale script to you and the class, and that experience led to a plethora of wonderful encounters. Thanks to your workshop and the new relaxed confidence it instilled in me, I pitched the heck out of my project at EFM the next day, and got meetings with major producers from all over Europe! Most importantly, I felt much more courage in general — not only talking about my project but conceiving of myself as an artist whose work is worth talking about. Amazing how our bodies influence our minds.”

Wim Wenders at Berlinale Talent Campus (Photo: Peter Himsel, Berlinale, 2011)

Jean-Louis was among 150 experts working in film who collaborated with filmmakers from around the world. Other experts included Isabella Rossellini who is also the President of the Jury of the festival, Harry Belafonte, Ralph Fiennes, Istvan Szabo, composer Michael Nyman, Paul Schrader, and Wim Wenders.

Berlinale Talent Campus Website

“PARACUSIA” STARRING KRISTOF KONRAD SCREENS AT AFI, February 19, 2011.

Kristof Konrad and Sarah Prikryl

“PARACUSIA”: A strange audio phenomenon is plaguing the four inhabitants of a small outpost on Mars. When the sound intensifies; breeding paranoia and threatening the lives of the crew, it’s up to their leader, Sarah, to abort the mission. However, none of them is prepared for what’s outside. The film is directed by Christopher Dreisbach.

Kristof Konrad and Brian Miller

“Paracusia” is a science fiction thriller written and produced by Brian Miller, a young and upcoming screenwriter graduating from the MFA program at AFI. His talent was quickly recognized by Harvey and Bob Weinstein, who optioned and produced his film Apollo 18, opening on April 22. Kristof has previously worked on four films produced by Brian and is looking forward to working with him on many more space adventures!

http://apollo18movie.net/

UCLA STUDENTS ELIJAH TRICHON AND EMILY YETTER FLY HIGH IN THEATER 360’S “PETER PAN”.

Emily Yetter as ill tempered Tinkerbell (Photo: Ed Krieger)

After studying the Alexander Technique with Jean-Louis Rodrigue over their three-year actor training program at the UCLA School of Theater, Film and Television, Emily Yetter and Elijah Trichon landed the roles of Tinkerbell and John Darling respectively. Conceived by an award winning creative team lead by Ben Harrison and William Dudley, and including the world’s first 360 degrees projected scenic design for live theatre, Peter Pan is a magical experience.

Tinkerbell and Peter return from Neverland (photo:Ed Krieger)

Emily and Elijah fly high in this Cirque du Soleil style spectacular and get to use every thing they learned from Alexander class. The show is currently on a US tour and reviewers agree that “Emily Yetter is especially delightful as the ill-tempered Tinkerbell and her hilarious tantrum furies cannot be more perfect.”

www.peterpantheshow.com

ANN COLBY STOCKING, LONG TIME STUDENT OF THE ALEXANDER TECHNIQUE ROCKS IN “PARADISE PARK”. February 12-March 13, 2011.

Troy Dunn, David E. Frank, and Ann Colby Stocking in "Paradise Park"

Ann Colby Stocking graduated from the MFA Acting Program at UCLA in 2000, where she studied the Alexander Technique with Jean-Louis. She has been a busy actress since her graduation, having starred in “The Body of Bourne” at the Mark Taper Forum and at the Kennedy Center in Washington, A Gretty Good Time at the Falcon Theatre, and most recently as Martha in “Who’s Afraid of Virginia Wolf” at the NoHo Arts Center. In “Paradise Park”, which performs at the City Garage, Charles L. Mee describes the play in the following way “Because the theatre is the art from that deals above all others in human relationships, then theatre is the art, par excellence, in which we discover what it is to be human and what is possible for humans to be.” The Los Angeles Times review of the play claims that “Ann Stocking’s ventriloquist is mesmerizing, no mean feat given that David E. Frank turns his bipolar dummies into a tour de force.”
www.citygarage.org

ANDY DONALD NAMED NEW ARTISTIC DIRECTOR OF NEW YORK THEATER COMPANY NAKED ANGELS.

Geoffrey Nauffts, Artistic Director Andy Donald, and John E. Alexander with Edie Falco, who recently starred in "This Wide Night". (Photo: Bruce Gilkas)

Andy Donald met Jean-Louis as a high school student at Crossroads School in Santa Monica. Recommended by Scott Weintraub, his drama teacher, he studied the Alexander Technique for many years and continued, after his graduation while attending NYU Tisch Drama School of the Arts. Andy also received an MFA from Columbia. After his graduation, he worked as a freelance director and served as Producing Associate at the Public Theater and Second Stage Theater, in pilot development for ABC and HBO, and as the founding artistic director of the Los Angeles based Charlie B. Theater Company.

Since 2009, he has been Associate Director of Naked Angels, a New York theater company committed to strengthening a community of artists through the development and production of provocative new work. The company has played a role in developing critically acclaimed new plays including The Substance of Fire, Side Man, Tape, Fault Lines, and most recently the Tony Award-nominated Next Fall. In January, Andy was named new artistic director of Naked Angels. Andy reflects the new generation and has already made a huge impact on shaping the future of the theater company. We congratulate him and wish him well in his new role.

LA CONNECTION: In collaboration with the Furious Theatre Company, our companies produce Mondays LA: Naked and Furious, the West Coast equivalent of the second step in our 3-Step Formula. Mondays LA expands the 3-Step formula’s original programming to include works for film and television in addition to the stage. Located on opposite sides of the country, Naked Angels and Furious Theatre Company share a mission to empower fresh voices through the development of provocative new work.

www.nakedangels.com

Sally Murphy, Company Member of Steppenwolf and Student of the Alexander Technique, Stars in “Sex With Strangers”. Through May 15, 2011.

Sally Murphy and Stephen Louis Grush in the Play "Sex With Strangers"(photo credit: Michael Brosilow

Sally Murphy has studied the Alexander Technique for many years with Jean- Louis Rodrigue. Originally recommended by her singing coach Judith Natalucci, Sally applied the Alexander work to her singing, acting and dealing with an injury she incurred during a performance of CAROUSEL on Broadway. She has been a member of Steppenwolf since 1993 and is now living in New York City.

“Sex with Strangers” is about Ethan, a hot young writer whose online journals of “sexcapades” are the buzz of the blogosphere. Olivia is an attractive 30-something whose own writing career never took off. They hook up, sex turns into dating and dating into something more complicated. A break-out hit at Steppenwolf’s 2009 First Look Repertory, Sex with Strangers explores what happens when our online and offline identities intersect.

Ensemble member Sally Murphy imbues her Olivia with a pervasive sense of ambiguity; she is fragile, she is strong; she is depressed, she is cheery; she is steadfast, she is a sellout. She can’t resist this new young thing (Ethan and/or the internet) even as she is repelled by it. It’s a complex portrayal, especially paired against Grush’s tornadic Ethan, and one that could easily, if unfairly, be dismissed as timid.

Sally Murphy Discussing her Character in “Sex With Strangers”

WILLIAM AND KATE STUDY THE ALEXANDER TECHNIQUE WITH JEAN-LOUIS FOR THEIR WEDDING ON LIFETIME TV. January 2011.

Camilla Luddington and Nico Evers-Swindell are Prince William and Kate Middleton

William and Kate will be preparing for their wedding with Jean-Louis Rodrigue for a Lifetime Movie “WILLIAM & KATE” to premiere on April 18. The director Mark Rosman wanted Camilla Luddington who plays Kate Middleton and Nico Evers-Swindell (Prince William) to have the poise and physicality to embody the famous couple. After all the royal wedding is expected to be one of the biggest TV events of all time, with around 2.5 billion viewers worldwide. Global buyers are head over heels for William and Kate, the Lifetime TV movie on the real-life love story of England’s Prince William and Kate Middleton. Network to Launch Six-Part Documentary Series ROYAL WEDDING OF A LIFETIME Immediately Following Movie’s Debut.

ELISA BOCANEGRA ON OFF BROADWAY in “The Milk Train Doesn’t Stop Here Anymore”. Through April 10, 2011

The cast of Milk Train - Curtis Billings, Elisa Bocanegra, Olympia Dukakis, Darren Pettie, Maggie Lacey and Edward Hibbert.(Photo: Jenny Anderson)

Long time student and friend of Kristof Konrad, Elisa Bocanegra plays Simonetta in Tennessee Williams’ “The Milk Train Doesn’t Stop Here Anymore”, starring Oscar winner Olympia Dukakis. The play, directed by Michael Wilson, opened on January 30 and will now run through April 10. Dukakis is joined on stage by Maggie Lacey, Edward Hibbert, Darren Pettie, Curtis Billings and Elisa Bocanegra. We congratulate Elisa and wish her much success.
“The Milk Train Doesn’t Stop Here Anymore”

MAJOR STUDY PUBLISHED IN THE BRITISH MEDICAL JOURNAL FINDS THE ALEXANDER TECHNIQUE MOST EFFECTIVE AT REDUCING BACK PAIN.

August 23rd, 2008 cover of BMJ

A recent study funded by the Medical Research Council and the NHS Research and Development fund finds long-term pain can be relieved through study of the Alexander Technique. The study published in the British Medical Journal, tested different back pain treatments using patients from 64 general practices in England . A total of 579 patients with chronic pain or recurrent low back pain participated; 144 were given “normal care”, 147 had massages, 144 took Alexander Technique lessons. Half of each group was also prescribed an aerobic exercise plan, primarily walking.

The team of researchers, from the University of Southhampton and the University of Bristol , evaluated participants before and after treatments by two primary measurers. First, researchers measured disability, based on questions about activities limited by pain. Secondly, researchers asked about the number of days in pain in the past four weeks. After a year of treatment, patients receiving Alexander lessons reported experiencing just three days of pain, compared to 21 days for those given normal care by their doctor. The patients who saw the biggest improvement were the ones who took the Alexander Technique lessons and also were prescribed an exercise plan. The improvements still held after one year, while massage’s benefits waned after three months.

Leaders in the field of mind/body medicine and behavioral sciences throughout this century have supported Alexander’s innovative research. Clinical studies have shown that the Technique improves breathing capacity and posture, modifies stress responses and is, for those who suffer from chronic pain, the preferred method for long-term relief.

BRITISH MEDICAL JOURNAL STUDY:
http://www.bmj.com/cgi/content/full/337/aug19_2/a884

ARTICLES ABOUT STUDY:
http://news.bbc.co.uk/2/hi/health/7568948.stm
http://www.telegraph.co.uk/(…)reducing-back-pain.html
http://www.guardian.co.uk/(…)/health.healthandwellbeing
http://www.webmd.com/(…)back-pain?src=RSS_PUBLIC
http://news.yahoo.com/(…)/back_pain_dc
http://uk.reuters.com/(…)idUKLK32331020080820